One evening in October 2010, the Hungarian novelist László Krasznahorkai—a man in his fifties with a biblical look—appeared on the balcony of the Collegium Hungaricum in Berlin, a white modernist building that’s a block north of Unter den Linden. At the same time an image of a dog, in silhouette, was projected from inside the building onto a large window below the balcony. Without introduction or explanation, Krasznahorkai then began to speak. And at first, I suppose that the uninformed commuter in Berlin might have assumed that the monologue this man was pronouncing was in the imaginary voice of the silhouetted dog—stretched out, as if leaping.